![]() Their eye color also tends to be a bit lighter. Their wildness is apparent in their leaner bodies and longer legs, and their predatory nature shows up in their eyes, which sit more on the front of their faces than dogs’ eyes. How to draw a wolf : Wolves are cool things to draw, but remember that wolves are more than just large dogs. Pay attention to the eyes, where much of a dog’s personality lies. Whether you’re drawing a cute dog or a fierce one, the first steps are the same: Get a sense of the shapes of all the different body parts, and then try to capture those and their relationships to one another. How to draw a dog : There are many different breeds, and many variations within breeds, so study reference photos closely. To add color, try using the watercolor brushes in Adobe Fresco. Then it’s just a matter of adding layers of detail and using lines to suggest feathers. Don’t forget the feet if the bird is perched on something. Then draw the basic shapes that make up the bird: an oval or teardrop shape for the body, a circle for the head, a triangle for the beak, and maybe a thin rectangle for the tailfeathers. How to draw a bird : Because birds come in all shapes, colors, and sizes, start with reference photos of the type you want to draw. ![]() After you’ve had some practice, combine a few into a single picture. Selecting a region changes the language and/or content on practical advice from professional artists and follow these simple step-by-step guides. These colors will also add to the sense of three-dimensionality. “Add a little bit of tone to show that it’s black but there are also some extra colors in there,” Jemison says. And if you draw Black hair, remember that natural Black hair is never completely black. ![]() ![]() If you add color, remember that one person’s hair can contain many different colors. “I just use a bigger, more transparent brush and go over it lightly, following the lines that are already there.” “As you get closer to the body, like underneath the chin, the hair will be darker because less light is going to hit there,” Lamb says. “With straighter hair, the light concentrates on the bends, but curly hair has so many bends and so much dimension that you’re not going to see as much light.”Ĭonsider the light source and notice where the shadows fall. “Pay attention to how the light hits different strands,” says Lamb. Even on the same head of hair, different areas of the hair reflect light differently. Again, refer to your reference photos and note how different types of hair reflect light in different ways. Well-drawn highlights and shadows will give the hair a three-dimensional look. For highlights and shadows, go back to your reference photo to see how the light reflects off of each lock or gets lost in the layers. This process can take a long time, but do this for every lock, varying the darkness of some curves and edges to add texture. The upward curves at the edges will give the appearance of depth. For realistic detail, draw small, shallow U shapes inside each lock. Add loose hair strands at some of the edges and around the hairline. Once you’ve drawn the basic shape of each lock and you’re happy with the directional flow, you can draw over the edges with organic-looking, wavy lines. Note how much heavier long locks appear than short ones, and how locks that start at the top of the head go outward before falling downward. Refer to your reference photo to see how the locks fall. Draw the outline first, and then just draw the general shape of the locks, which are like thin rectangles. The process for drawing dreadlocks is similar to that for other types of hair.
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